These rural scenarios are full of balanced precious details, of calm brushstrokes, where everything lights up in a story full of musical resonances, which vibrate in a perfect pictorial balance, wrapped in a sweet fairy-tale atmosphere.
The photolithographic print, measuring 20x37 cm, is reproduced on Tintoretto paper, and comes with an ivory bevelled passepartout.
It suits any type of frame, from modern to more antique ones, and can be placed in any corner of your home. It will enrich your decor and it will feel like having a window onto the Tuscan countryside.
Print with wooden frame total size 19x39 cm
Massimo Pantani was born in San Gimignano, Tuscany on 14th August 1956. He is entitled and loves to define
himself as a self-taught artist. His instinctive brush-stroke is not inspired by any sophisticated concepts.
This peculiar instinctiveness is indeed at its best when it comes to rocky landscapes. Those very landscapes
which abound in Tuscany, are translated/interpreted in all their simplicity and beauty in our artist’s works.
His strokes are incisive certainly not mawkish and are to put in result the general scene rather than details.
His style might seem unfinished because of the unworked brush-strokes and the final result may look as a sketch.
Yet, a perceptive analysis recognises the non-necessity of a more define and precise trait.
The message is clearly given to the viewer who unconsciously becomes part of such landscapes. Print with wooden frame total size cm 19x39
Print with wooden frame total size 19x39 cm
Massimo Pantani was born in San Gimignano, Tuscany on 14th August 1956. He is entitled and loves to define
himself as a self-taught artist. His instinctive brush-stroke is not inspired by any sophisticated concepts.
This peculiar instinctiveness is indeed at its best when it comes to rocky landscapes. Those very landscapes
which abound in Tuscany, are translated/interpreted in all their simplicity and beauty in our artist’s works.
His strokes are incisive certainly not mawkish and are to put in result the general scene rather than details.
His style might seem unfinished because of the unworked brush-strokes and the final result may look as a sketch.
Yet, a perceptive analysis recognises the non-necessity of a more define and precise trait.
The message is clearly given to the viewer who unconsciously becomes part of such landscapes. Print with wooden frame total size cm 19x39